Product Description
From the bestselling author of Running with Scissors comes Dry—the hilarious, moving, and no less bizarre account of what happened next.You may not know it, but you've met Augusten Burroughs. You've seen him on the street, in bars, on the subway, at restaurants: a twenty-something guy, nice suit, works in advertising. Regular. Ordinary. But when the ordinary person had to drinks, Augusten was circling the drain by having twelve; when the ordinary person went home at midnight, Augusten never went home at all. Loud, distracting ties, automated wake-up calls, and cologne on the tongue could only hide so much for so long. At the request (well, it wasn't really a request) of his employers, Augusten landed in rehab, where his dreams of group therapy with Robert Downey, Jr., are immediately dashed by the grim reality of fluorescent lighting and paper hospital slippers. But when Augusten is forced to examine himself, something actually starts to click, and that's when he finds himself in the worst trouble of all. Because when his thirty days are up, he has to return to his same drunken Manhattan life—and live it sober. What follows is a memoir that's as moving as it is funny, as heartbreaking as it is real. Dry is the story of love, loss, and Starbucks as a higher power.
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Amazon.com
Fans of Augusten Burroughs's darkly funny memoir Running with Scissors were left wondering at the end of that book what would become of young Augusten after his squalid and fascinating childhood ended. In Dry, we find that although adult Augusten is doing well professionally, earning a handsome living as an ad writer for a top New York agency, Burroughs's personal life is a disaster. His apartment is a sea of empty Dewar's bottles, he stays out all night boozing, and he dabs cologne on his tongue in an unsuccessful attempt to mask the stench of alcohol on his breath at work. When his employer insists he seek help, Burroughs ships out to Minnesota for detoxification, counseling, and amusingly told anecdotes about the use of stuffed animals in group therapy. But after a month of such treatment, he's back in Manhattan and tenuously sober. And while its one thing to lay off the sauce in rehab, Burroughs learns that it's quite another to resume your former life while avoiding the alcohol that your former life was based around. This quest to remain sober is made dramatically more difficult, and the tale more harrowing, when Burroughs begins an ill-advised romance with a crack addict. Certainly the "recovered alcoholic fighting to stay sober" tale is not new territory for a memoirist. But Burroughs's account transcends clichés: it doesn't adhere to the traditional "temptation narrowly resisted" storyline and it features, in Burroughs himself, a central character that is sympathetic even when he's neither likable nor admirable. But what ultimately makes this memoir such a terrific read is a brilliant and candid sense of humor that manages to stay dry even when recalling events where the author was anything but. --John Moe
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 Every emotion under the martini glass!
I read Running with Scissors and found it shocking, almost embarrassing and worried that people would be reading over my shoulder on the metro. But it was great and left me feeling shocked that someone could be raised that way and still turn out relatively normal. Dry was extremely witty, scary, sad, exciting, anger provoking, thought provoking, startling, comforting, and truly enjoyable to read. I found myself impatient for my subway ride home and not caring who might be reading over my shoulder. At the end of the read I decided to go purchase the rest of Augusten's memoirs because I just love his brand of humor and wit and sense of irony and sarcasm. He's, umm, dare I say it, addicting.
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 Better than first novel
This book is much better than Running with Scissors, Augusten Burroughs' prequel to this book. Thankfully there weren't any graphic sex scenes but there seemed to be a realness about what he was saying. I enjoyed it.
I'm not saying it was my favorite book ever, but it wasn't bad.
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Sharp, candid, and surprisingly poignant... ( micky-macky )
The fact that I finished this book in one day *probably* indicates that I enjoyed it. Indeed, the only novels that I recall where I truly laughed my head off were from chick-lits, trivial as that may sound. But, really, Burroughs has managed to be disarmingly droll while being frightfully honest and self-deprecating. I can't attest if that's from being gay, the result of coming from a dysfunctional family, or perhaps from working in advertising (in New York, no less).
What made this story interesting for me was the way he narrated his excruciating battle with alcoholism, that even someone who doesn't suffer from that ailment can actually empathize with him. Definitely he refrained from being too long-winded about it, avoiding the pitfall of letting his story become boring or monotonous--his cracks about himself, his fellow addicts, down to the closet case that is his boss, openly drew chuckles from me. There was enough balance of falling into bouts of introspection as well as allowing the story to progress via the lively dialogues with the equally captivating secondary characters--the tragedy that is Pighead, the complexity and apparent exceptionality that is Foster, and the oddity namely Greer, among others. A guilty enjoyment for me as well was the encounter with the German advertising client who unwittingly provokes the imagination of Augusten to spout Nazi stereotypes.
Unexpected, though, was the striking insight into repressed emotions and the ability of a person to love another despite seemingly insurmountable flaws. Augusten's relationships perfectly capture what I think is a quintessentially urban tendency of people nowadays to tirelessly compensate for what they think they are missing in life. In a way, this novel shows how cheerless that condition is, and, at the same time, be unafraid of what is, after all, a price for being human.
Augusten's narration of what his childhood was, the blatant abandonment he experienced from his parents, the perversion done to him as a teenager, makes the reader in turns awed and morbidly fascinated with the man that he has become. There were times our protagonist was readily aware of his shortcomings--from keeping up with the AA meetings to juggling his relationships with Pighead and Foster--and if those weren't uncomfortable enough, the reader is also made cognizant of his glaring denials about how he was living his life, pre- and post-rehab.
I highly recommend this novel. Whether one is seeking an understanding of alcoholism, or simply in want of a refreshing, entertaining read--granted it's peeking into the "memoirs" of a self-confessed mess--this story will take you from laughs to sadness, hope to sorrow. (and back again). Without a doubt, this work proves that Burroughs is an Original.
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Simultaneously hilarious and poignant
This was a great book. Augusten Burroughs has such a great narrative style and you immediately feel like you know him, as if you're friends. I couldn't put it down and finished it in two days (would have in one if I didn't have to stop for meals and work!). Highly recommended!
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the book that made me a Reader again.
Quirky isn't exactly the right word for this book. Insightful maybe. Heartbreakingly honest. Gut bustingly funny.
I cried, laughed, sighed and nodded my head in recognition and/or agreement...sometimes all within the same page. Sometimes in the same sentence. He's a gifted writer and after three reads, and almost 7 years, this book remains at the top of my favorites list. (Plus, I think its way better than Running With Scissors.)
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